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August 14, 2008 – San Francisco, CA
Reggae Rising 2008: Brought Roots, Dancehall, and an International
Flavor
By Jamey Millie / Photos by Elliot Shields
 Beres Hammond
On August 1st, 2nd, and 3rd, 2008, the 2nd Annual
Reggae Rising Festival took place in the Redwood hills of HumboldtCounty, northern California.
Twenty thousand-plus reggae fans united for a weekend celebration of music,
nature and Jamaican Rasta culture. A dedicated
group of organizers plan all year for California‘s biggest reggae show, staged
along the tranquil banks of the Eel River. The second annual staging of Reggae Rising
continues a long tradition of reggae music. Each year Reggae Rising, once known as Reggae
on the River, can boast that its annual line-up is packed with international
talent. This year’s line-up was no
exception, featuring such artists as Sizzla, Gentlemen, Sly and Robbie, UB40,
Beres Hammond, Junior Reid, Mr. Vegas, Cham, Turbulence, Tanya Stephens, Etana, and Collie Buddz, to name a few. Local bands included The Lion Camp and Jah
Sun, while Detour Posse backed the
Saturday series of Dancehall artists.
Friday afternoon featured Mr. Easy, Cham and Tanya Stephens,
the only female in the male-dominated roster.
Friday evening saw Beres Hammond deliver a breath-giving two hour performance. The veteran lover’s rock singer kept the
energy of his set so smooth that new fans could visualize how many amazing
songs he actually has recorded. Closing
Friday night, the UK’s UB40
followed with a real Caribbean vibe not to be
messed with. Even without vocalist Ali
Campbell and trumpeter Astro, the solid musicians of the classic group made for
a real reggae experience.
 Sizzla
The weather and the energy stayed hot through Saturday,
which saw Mr. Vegas and Lexxus bringing an authentic Jamaican Dancehall sound.
The evening saw Junior Reid performing in front of Sly and Robbie, reggae’s
riddim backbone and huge contributors to the overall heavyweight reggae sound. Original Black Uhuru member Don Carlos made an
early appearance along side Reid to perform “General Penitentiary”
and got the crowd even more hyped.
Closing Saturday was the current wave of Bobo Ashanti Rastas
headliners, and great performances were turned in by Turbulence, Sizzla, and
the Firehouse Crew. Both showcased a huge
hybrid of roots reggae and thunderous dancehall anthems. Sizzla, often labeled for his often bad
language and socially unaccepted lyrics, brought a refreshingly positive and Irie
performance. Sizzla stuck to roots and
culture tunes, and it seems that that was what the largest crowd thus far wanted
to hear.
Bermuda-born Collie Buddz came around on Sunday, bringing
his New Kingston Band. His second
appearance at Reggae Rising surpassed last years, and his energetic performance
and driving beats drew a large and enthusiastic crowd. The fired up closing night audience was ready
for Julian Marley, who has been making a huge boom in northern California. Julian and the Uprising Band gave a subtle,
cool performance of his father’s hits, as well as from his own list of original
songs.
 Gentleman
Approaching the close of three great days of music, Germany’s Gentleman
took the stage. Along with the full Far
East Band, he delivered an unforgettable sunset performance. His now classic tunes were a smooth blend of
reggae songs and dancehall steppers riddims. The Far
East band was perfectly arranged, full of rhythm and harmony, a
great horn section, and featuring more female musicians than you usually
see. Don Carlos then came on with
another real Rasta message and played a whole set of roots anthems. His sound was so eloquently voiced that the
crowd could relate to the niceness he delivered. Bringing out Junior Reid for a second encore,
this show was over top, and allowed the Rasta elders the proper time to close
out the festival.
On Saturday and Sunday, there were pictorial tributes for Lucky Dube and Joseph “Culture” Hill, two legends who
passed away recently. Their untimely and
tragic loss was felt throughout reggae and world music arenas. Both of these artists transcended beyond reggae/world
music and became leaders of a greater world peace statement. Although the tributes were well intended,  Don Carlos they were poorly executed. The slide presentations,
which featured the superb photography of San
Francisco’s Lee Abel, were inadequately projected, and
the sound inaudible. Lucky Dube, who would have celebrated his 4th
birthday on August 3, performed at Reggae on the River a record six times. Those fortunate enough to have witnessed his
outstanding performances will hold him in our hearts forever.
More Reggae Rising photos here
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